| The Chinese Written Character as a Medium for Poetry: A Critical Edition Contributor(s): Fenollosa, Ernest (Author), Pound, Ezra (Author), Saussy, Haun (Editor) |
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ISBN: 0823228681 ISBN-13: 9780823228683 Publisher: Fordham University Press OUR PRICE: $83.60 Product Type: Hardcover - Other Formats Published: August 2008 Annotation: First published in 1919 by Ezra Pound, Ernest Fenollosas essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pounds understandingit is fair to say, his appropriationof the text. Fenollosas manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pounds editing of the essay obscured two important features, here restored to view: Fenollosas encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosas important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pounds deletions, insertions, and alterations to Fenollosas sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosas ideas about culture, poetry, and translation. Copious multilingual annotation isan important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry. |
| Additional Information |
| BISAC Categories: - Literary Collections | Essays - Literary Criticism | Asian - Chinese - Literary Criticism | Poetry |
| Dewey: 808.1 |
| LCCN: 2008007488 |
| Physical Information: 1" H x 8" W x 9.1" (1.50 lbs) 240 pages |
| Themes: - Cultural Region - Chinese |
| Descriptions, Reviews, Etc. |
| Publisher Description: First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound's understanding-it is fair to say, his appropriation-of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry. |
Contributor Bio(s): Pound, Ezra: - Ezra Pound (1884-1972) was a leading Modernist poet and the driving force behind Imagism and Vorticism.Fenollosa, Ernest: - ERNEST FRANCISCO FENOLLOSA (1853-1908) taught at the Imperial University of Tokyo. In 1890 he became Asian curator at the Boston Museum of Fine Arts.Stalling, Jonathan: - JONATHAN STALLING is Assistant Professor of English at the University of Oklahoma. He is a co-editor of The Chinese Written Character as a Medium for Poetry: A Critical Edition (Fordham).Klein, Lucas: - LUCAS KLEIN is a graduate student in East Asian Languages and Literatures at Yale University.Saussy, Haun: - Haun Saussy is University Professor of Comparative Literature at the University of Chicago. He won the René Wellek Prize for Comparative Literature (for the second time) for his most recent book, Translation as Citation: Zhuangzi Inside Out (Oxford, 2018). His book The Ethnography of Rhythm: Orality and Its Technologies (Fordham, 2016) was awarded the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies. |