| Essays on Art, Race, Politics, and World Affairs (Lh9): Volume 9 Contributor(s): Hughes, Langston (Author), De Santis, Christopher C. (Editor) |
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ISBN: 0826213944 ISBN-13: 9780826213945 Publisher: University of Missouri Press OUR PRICE: $64.35 Product Type: Hardcover Published: May 2002 Annotation: Nearly a century after his birth in Joplin, Missouri, Langston Hughes is, in a sense, coming home. The University of Missouri Press is proud to announce the publication of The Collected Works of Langston Hughes, a compilation of the novels, short stories, poems, plays, and essays by one of the twentieth century's most prolific and influential African American authors. The seventeen-volume series will make available Hughes's most famous works as well as less well known and out-of-print selections, providing readers and libraries with a comprehensive source for the first time. Hughes moved to Harlem in the 1920s and ultimately became the most prominent figure in the literary, artistic, and intellectual phenomenon known as the Harlem Renaissance. Hughes wrote articles for The Crisis and in 1926 published his first book of poetry, The Weary Blues. Over the decades until his death in 1967, he became one of the best-known and most versatile American writers of the twentieth century. His creative range -- poetry, novels, short fiction, drama, translations, gospel-song plays, libretti, juvenile fiction, radio and television scripts, history, biography, and autobiography -- is unique in American letters. The seventeen volumes of the Collected Works are to be published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar. The volume introductions will provide contextual and historical information on the particular work. While scholars and general readers have enjoyed easy access to most of Langston Hughes'swritings, his work in one genre -- the essay -- has gone largely unnoticed. From his radical pieces praising revolutionary socialist ideology in the 1930s to the more conservative, previously unpublished "Black Writers in a Troubled World, " which he wrote a year before his death, Hughes used the essay form to comment on the contemporary issues he found most pressing. Hughes generated some of his most powerful critiques of economic and racial oppression through his masterful essays. It was the essay as a literary form that allowed Hughes to document the essential contributions made by African Americans to literature, music, film, and theater, and to chronicle the immense difficulties black artists faced in gaining recognition, fair remuneration, and professional advancement for these contributions. Many of the essays and other pieces of short nonfiction have long been out of print and will be new to most readers. Through them, Langston Hughes reaffirmed a belief in the political potential of African American writers that remained consistent throughout his forty-six-year professional writing career: "Ours is a social as well as a literary responsibility." Such a belief resounds everywhere in this volume -- a true testament of a man committed to the capabilities of language to generate social awareness and, ultimately, to compel social change. |
| Additional Information |
| BISAC Categories: - Literary Collections | American - General - Literary Collections | Essays |
| Dewey: 818.520 |
| LCCN: 0066601 |
| Series: Collected Works of Langston Hughes |
| Physical Information: 2.11" H x 6.54" W x 9.28" (2.47 lbs) 648 pages |
| Themes: - Ethnic Orientation - African American |
| Descriptions, Reviews, Etc. |
| Publisher Description: Among the most prolific of American writers, Langston Hughes gained international attention and acclaim in nearly every genre of writing. While scholars and general readers have enjoyed relatively easy access to most of his writings, Hughes's work in one genre "the essay" has gone largely unnoticed. From his radical pieces praising revolutionary socialist ideology in the 1930s to the more conservative, previously unpublished "Black Writers in a Troubled World," which he wrote a year before his death, Hughes used the essay form as a vehicle through which to comment on the contemporary issues he found most pressing at various stages of his career. Hughes generated some of his most powerful critiques of economic and racial exploitation and oppression through his masterful essays. It was the essay as a literary form that allowed Hughes to document the essential contributions made by African Americans to literature, music, film, and theater, and to chronicle the immense difficulties black artists faced in gaining recognition, fair remuneration, and professional advancement for these contributions. Finally, it was in certain essays that Hughes most fully represented the unique and endearing persona of the blues-poet-in-exile. Many of the essays and other pieces of short nonfiction included in this volume have long been out of print and will be new to most readers. Through them, Langston Hughes reaffirmed a belief in the political potential of African American writers that remained consistent throughout his forty-six-year professional writing career: "Ours is a social as well as a literary responsibility." Such a belief resounds everywhere in this volume "a true testament of a man committed to the capabilities of language to generate social awareness and, ultimately, to compel social change." |