| The Plague, the Fall, Exile and the Kingdom, and Selected Essays: Introduction by David Bellos Contributor(s): Camus, Albert (Author), Gilbert, Stuart (Translator), O'Brien, Justin (Translator) |
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ISBN: 1400042550 ISBN-13: 9781400042555 Publisher: Everyman's Library OUR PRICE: $27.00 Product Type: Hardcover Published: August 2004 Annotation: A haunting tale of human resilience in the face of unrelieved horror, Camus' novel about a bubonic plague ravaging the people of a North African coastal town is a classic of twentieth-century literature. "From the Trade Paperback edition. |
| Additional Information |
| BISAC Categories: - Fiction | Literary - Fiction | Classics - Fiction | Short Stories (single Author) |
| Dewey: FIC |
| LCCN: 2004050616 |
| Series: Everyman's Library Contemporary Classics |
| Physical Information: 1.44" H x 5.2" W x 8.3" (1.64 lbs) 696 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: From one of the most brilliant and influential thinkers of the twentieth century-two novels, six short stories, and a pair of essays in a single volume. In both his essays and his fiction, Albert Camus (1913--1960) de-ployed his lyric eloquence in defense against despair, providing an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning.
The Plague-written in 1947 and still profoundly relevant-is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters-from a renegade missionary to an adulterous wife -at decisive moments of revelation. Set beside their fictional counterparts, Camus's famous essays "The Myth of Sisyphus" and "Reflections on the Guillotine" are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought. |