| Listening for Theatrical Form in Early Modern England Contributor(s): Deutermann, Allison K. (Author) |
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ISBN: 1474411266 ISBN-13: 9781474411264 Publisher: Edinburgh University Press OUR PRICE: $114.00 Product Type: Hardcover Published: June 2016 |
| Additional Information |
| BISAC Categories: - Literary Criticism | English, Irish, Scottish, Welsh - Literary Criticism | Drama - Literary Criticism | Shakespeare |
| Series: Edinburgh Critical Studies in Renaissance Culture |
| Physical Information: 0.7" H x 6.1" W x 9.3" (1.00 lbs) 208 pages |
| Themes: - Cultural Region - British Isles |
| Descriptions, Reviews, Etc. |
| Publisher Description: Examines the impact of hearing on the formal and generic development of early modern theatre Early modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics. Key Features
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