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From "one of the most singular and searching imaginations of our time" ("The New York Times"), come pieces of fact and fiction ranging from thoughts on friendliness and country living to animosity and city life.

"No other dancer ever looked like Paul Taylor, that strapping, elastic, goofy hunk of a guy, and no one else's dance works look like his either - not the deep, dark ones or the zany ones or the uplifting ones. His vocabulary, his tone are unique and unmistakable. The same thing is true, it turns out, about his writing. His style is utterly his own, and like all real style it isn't a calculated voice but a reflection of the way his quirky mind works."
- from the foreword by Bob Gottlieb

"Taylor has not cultivated one writing persona, but has unleashed a raft of voices in a raft of forms: travesty, comedy, fiction, essay, satire, allegory, poetry, fable, epistle. While many of these selections are humorous, as anyone familiar with Taylor's choreography knows, even in the sunniest of his dances, there are often threatening clouds on the horizon. And the canny Taylor recognizes when to swap his Janus masks for maximum emotional wallop."
- from the introduction by Suzanne Carbonneau