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Graphic Memories of the Civil Rights Movement: Reframing History in Comics
Contributor(s): Santos, Jorge (Author)
ISBN: 1477318267     ISBN-13: 9781477318263
Publisher: University of Texas Press
OUR PRICE:   $89.10  
Product Type: Hardcover - Other Formats
Published: June 2019
Qty:
Additional Information
BISAC Categories:
- Literary Criticism | Comics & Graphic Novels
- History | United States - 20th Century
Dewey: 741.535
LCCN: 2018034573
Series: World Comics and Graphic Nonfiction
Physical Information: 0.75" H x 6" W x 9" (1.21 lbs) 256 pages
Themes:
- Chronological Period - 20th Century
 
Descriptions, Reviews, Etc.
Publisher Description:
The history of America's civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this: Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013-2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father's participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement. In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos's interview with Ho Che Anderson.

Contributor Bio(s): Santos, Jorge: - Born to El Salvadorian and Ecuadorian immigrant parents, Jorge J. Santos Jr. is an assistant professor of Multi-Ethnic Literature of the United States at the College of the Holy Cross. His work has appeared in MELUS, College Literature, and Image/Text. His first foray into the world of graphic narrative, "Movement through the Borderlands: Graphic Revisions in Pablo's Inferno," was awarded the University of Connecticut Aetna Critical Writing Prize.