Limit this search to....

Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels
Contributor(s): Weese, Katherine J. (Author), Palumbo, Donald E. (Editor), Sullivan, C. W., III (Editor)
ISBN: 0786436158     ISBN-13: 9780786436156
Publisher: McFarland and Company, Inc.
OUR PRICE:   $34.65  
Product Type: Paperback - Other Formats
Published: April 2008
Qty:
Annotation: Women authors have explored fantasy fiction in ways that connect with feminist narrative theories, as examined here by Katherine J. Weese in seven modern novels. These include Margaret Atwood's Lady Oracle, Iris Murdoch's The Sea, the Sea, Marilynne Robinson's Housekeeping, Carol Shields's The Stone Diaries, Barbara Kingsolver's The Poisonwood Bible, and Toni Morrison's Beloved and Paradise. The fantastic devices highlight various feminist narrative concerns such as the authority of the female voice, the implications of narrative form for gender construction, revisions to traditional genre conventions by women writers, and the recovery of alternative versions of stories suppressed by dominant historical narratives. Weese also frames the fantastic elements in the scope of traditional fictional structure.
Additional Information
BISAC Categories:
- Performing Arts | Film - General
- Literary Criticism | Science Fiction & Fantasy
Dewey: 823.914
LCCN: 2008010941
Series: Critical Explorations in Science Fiction and Fantasy
Physical Information: 0.55" H x 6.37" W x 9.03" (0.73 lbs) 234 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

Women authors have explored fantasy fiction in ways that connect with feminist narrative theories, as examined here by Katherine J. Weese in seven modern novels. These include Margaret Atwood's Lady Oracle, Iris Murdoch's The Sea, the Sea, Marilynne Robinson's Housekeeping, Carol Shields's The Stone Diaries, Barbara Kingsolver's The Poisonwood Bible, and Toni Morrison's Beloved and Paradise. The fantastic devices highlight various feminist narrative concerns such as the authority of the female voice, the implications of narrative form for gender construction, revisions to traditional genre conventions by women writers, and the recovery of alternative versions of stories suppressed by dominant historical narratives. Weese also frames the fantastic elements in the scope of traditional fictional structure. Instructors considering this book for use in a course may request an examination copy here.