Automatic for the Masses: The Death of the Author and the Birth of Socialist Realism Contributor(s): Petrov, Petre M. (Author) |
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ISBN: 1442648422 ISBN-13: 9781442648425 Publisher: University of Toronto Press OUR PRICE: $86.45 Product Type: Hardcover - Other Formats Published: March 2015 |
Additional Information |
BISAC Categories: - Literary Criticism | Eastern European (see Also Russian & Former Soviet Union) - History | Europe - General - History | Eastern Europe - General |
Dewey: 700.9 |
LCCN: 2015460802 |
Physical Information: 1.3" H x 6" W x 9" (1.40 lbs) 328 pages |
Themes: - Cultural Region - Eastern Europe |
Descriptions, Reviews, Etc. |
Publisher Description: At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or were there unseen continuities between these two movements? In Automatic for the Masses, Petre M. Petrov offers a novel, theoretically informed account of that transition, tracing those connections through Modernist notions of agency and authorship. Reading the statements and manifestos of the Formalists, Constructivists, and other Soviet avant-garde artists, Petrov argues that Socialist Realism perpetuated in a new form the Modernist death of the author. In interpreting this symbolic demise, he shows how the official culture of the 1930s can be seen as a perverted realization of modernism's unrealizable project. An insightful and challenging interpretation of the era, Automatic for the Masses will be required reading for those interested in understanding early Soviet culture. |
Contributor Bio(s): Petrov, Petre M.: - Petre M. Petrov is an assistant professor of Russian at the University of Texas at Austin. |