Being Cool: The Work of Elmore Leonard Contributor(s): Rzepka, Charles J. (Author) |
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ISBN: 1421424045 ISBN-13: 9781421424040 Publisher: Johns Hopkins University Press OUR PRICE: $20.90 Product Type: Paperback - Other Formats Published: September 2017 |
Additional Information |
BISAC Categories: - Literary Criticism | American - General - Social Science | Popular Culture |
Dewey: 813.54 |
Physical Information: 0.6" H x 6" W x 8.9" (0.70 lbs) 238 pages |
Descriptions, Reviews, Etc. |
Publisher Description: Widely known as the crime fiction writer whose work led to the movies Get Shorty and Out of Sight, Elmore Leonard had a special knack for creating "cool" characters. In Being Cool, Charles J. Rzepka looks at what makes the dope-dealers, bookies, grifters, financial advisors, talent agents, shady attorneys, hookers, models, and crooked cops of Leonard's world cool. They may be nefarious, but they are also confident, skilled, and composed. And they are good at what they do. Taking being cool as the highway through Leonard's life and works, Rzepka finds plenty of byways to explore along the way. Rzepka delineates the stages and patterns that characterize Leonard's creative evolution. Like jazz greats, he forged an individual writing style immediately recognizable for its voice and rhythm, including his characters' rat-a-tat recitations, curt backhands, and ragged trains of thought. Rzepka draws on more than twelve hours of personal interviews with Leonard and applies what he learned to his close analysis of the writer's long life and prodigious output: 45 published novels, 39 published and unpublished short stories, and numerous essays written over the course of six decades. |
Contributor Bio(s): Rzepka, Charles J.: - Charles J. Rzepka is a professor of English at Boston University and author of Inventions and Interventions: Selected Studies in Romantic and American Literature, History, and Culture; Detective Fiction; Sacramental Commodities: Gift, Text, and the Sublime in De Quincey; and The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and Keats. |